Midnight Oil:Movies and More

“The Bicycle Thief” (1948), is a small masterpiece on celluloid that captures the human drama of a family man struggling to maintain his livelihood and his dignity by recovering a stolen bicycle in post-war Rome. This Italian language film by Vittorio de Sica maintained my interest even with the English subtitles. Taking in a film through translation may be akin to listening to a symphony orchestra through a tin can telephone. One is sure to miss something in the translation. However, the acting on the part of the father and son duo (played by Lamberto Maggiorani and Enzo Staiolo respectively) is so convincing both through dialogue and the non-verbal, that one can forgive the ongoing necessity of the subtitles. Following the everyman character about the streets of Rome in his desperate search for his bicycle gives us the full range of an emotional workout and a depth of sociological analysis that the “official bus tour” of the famous Eternal City would never afford.

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See a trailer for "The Bicycle Thief" (1948)

In “The Deadly Affair” (1966) IMDb, John le Carré’s spy novel turns into a cinematic adventure for everyday secret service man, Charles Dobbs (played by James Mason). Even though he has a nymphomaniac wife at home, Charles Dobbs’ career as a British intelligence officer is nothing like that of James Bond. A suspicious looking suicide after an apparently unfounded accusation of communist sympathies leads down a trail of cold war intrigue. As the plot thickens, Dobb’s finds the answers in places that strike close uncomfortably close to home.

See a very interesting SNAM “Interview” that includes material on John le Carré’s more famous spy novel, “The Spy Who Came in from the Cold”, a film starring Richard Burton, also screened on the same evening on Saturday Night at the Movies.

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Catch the opening credits and opening scene for “The Deadly Affair” (1966) here.

The Lady Eve (1941) IMDb, directed by Preston Sturgess, is a madcap comedy that showcases the talents of Babara Stanwyck and Henry Fonda. Two of Hollywood's favourite stars shine brightly in this lighthearted romp wherein the rich but hapless Mr. Charles Pike falls like a ton of bricks for the conniving Miss Jean Harrigton. And then he does it again, this time with Miss Harrignton's alter-ego, the Lady Eve Sidwich, phony English accent and all. Charles Pike doesn't seem to take note of such inconsequential details, so taken up is he with the Lady Eve's charms. A thoroughly enjoyable film for fans of Ms. Stanwyck and Mr. Fonda as well as for enthusiasts of the screwball genre or this era.

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Catch the TVO  video preview of "The Lady Eve" (1941) here.

See the video trailer for "The Lady Eve" (1941)

 

“The Late Show” (1977) with Art Carney and Lily Tomlin pairs a cranky has-been detective with a kooky young woman who hasn’t quite got her life under control. The odd couple is formed when minor crimes and misdemeanours escalate to a major blackmail and murder case. Things become unexpectedly serious both on the investigation front and the personal relationship side of things. Two slightly out of step and lonely individuals find that they have something to contribute to one another’s lives. Robert Benton directs this backward glance at the hardboiled detective film noir movies of the 1940’s à la Raymond Chandler/Philip Marlowe. The film leaves behind a surprisingly touching picture of the subject of aging thanks to good acting on the part of the lead characters and the support of Benton’s direction as well as a decent script.

See the TVO video preview for the "Never Too Late" presentation with "Nobody's Fool" and "The Late Show"

The companion piece in this series, "Nobody's Fool" with Paul Newman, Jessica Tandy, Bruce Willis and Melanie Griffith was also reviewed on Midnight Oil.

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Don't miss the entire TVOntario Interview for the "Never Too Late" episode. Included is a discussion of "Nobody's Fool" and "The Late Show" in the conversation about Hollywood films and the subject of aging.