Midnight Oil:Movies and More

“Apollo 13” (1995), directed by Ron Howard, provides a wonderfully realistic dramatization of the historic aborted moon voyage of 1970. There was a PG rating on the film for language and emotional intensity. I appreciated the warning as the parent of a 10 year old who remains fascinated by gadgets, gizmos and galaxies but who gets slightly stressed out by the super suspenseful inner states of being that sell movies. You really do want to make sure that you go to the bathroom before you start out on this two hour “disasterful” cinematic voyage to the moon and back. Tom Hanks, Bill Paxton and Kevin Bacon (playing astronauts Lovell, Haise and Swigert) form a triumvirate for outer space. Ed Harris provides ground support as Flight Director Gene Kranz. Well, there was that other guy, Gary Sinise. He plays astronaut Ken Mattingly. That’s the fellow who gets knocked off of the roster at the last minute by German measles - but no one ever mentions him. They did manage, in the name of historical accuracy, to mention the fact that the unfortunate Pilot Haise, played by Bill Paxton, got a major urinary tract infection due to not drinking enough water during the mission. Too much information.

Methinks there was a bit too much testosterone floating around the stratosphere in this film. In the end, everyone keeps their head and all get back to earth safely. I really wasn’t sure there for a few minutes – and that was after seeing the film previously and living through the historical event. When they are done right, movies can be an engrossing form of storytelling. This one was done right.

 >>More to see: Looking for more out of life?

>>Real Life Story: Darrell Waltrip was a great success as a NASCAR driver until a near fatal accident changed his direction in life.

View the video trailer for "Apollo 13" (1995)

“Monsoon Wedding” (2001) gives a glimpse of  a wedding day in modern-day India that has lots to say about the institution of marriage, families and India as it is today. Director Mira Nair lovingly constructs a multi-layered picture of an extended middle class family as it goes through the Hindu ritual. The gathering of the clan and the awkward introduction of two strangers who are soon to be husband and wife present the perfect opportunity for both flamboyant display and clandestine concealment. moviescreenshots.blogspot.comMultiple revelations take place during the course of the film. Some are funny and fun and some stumble upon the great tragedies and imperfections of life as it really is. Nair’s film is enjoyable because it captures “the way things really are” today in a specific state in India. The movie reaches beyond the frivolous and the cliché because it simultaneously reveals “the way things have always been” on a universal level. Who’s to say that the torrential downpour of a monsoon would not be the perfect ending of a grand celebration of a very imperfect life? It’s a different way of looking at things. It might just be a very lucky thing.

Be sure that you don’t miss the SNAM Interview dedicated to examining the intricacies of “Monsoon Wedding”.

Also shown on Saturday Night at the Movies was “Father of the Bride” (1950) , another movie along the wedding theme previously reviewed on Midnight Oil.

 >>More to see: Looking for more out of life?

>>Real Life Story: Shawna went from the fairytale wedding to disappointment in her marriage to real happiness.

 See the official trailer for “Monsoon Wedding” (2001). I decided some words of explanation (in English) were necessary to tell the story even though this video clip does an great job of capturing the visual story of the film through colour, texture, song and dance.

“Panic in the Streets” (1950) starring Richard Widmark and Jack Palance as directed by Elia Kazan, makes for a scary combination. I’m not sure which one you should take your chances on; the menace of the totally deadly pneumonic plague (a form of the Black Plague) or the totally creepy Jack Palance as the villain. The hero, Richard Widmark, as Lieutenant Commander Clint Reed, runs around New Orleans with his syringe, prepared to do battle with either culprit. (Apparently, it is true that the totally deadly effects of pneumonic plague can be forestalled with a dose of antibiotics within 24 hours.) This highly potent concoction of gangsters, bioterrorism, post-war anxieties with a bit of romance thrown in, thanks to Barbara Bel Geddes as the good doctor’s wife, makes it a highly watchable film more than 50 years later. It may not be Elia Kazan’s best film ever, but it’s worth a look. And it’s so comforting in this crazy post-SARS world of ours to think that there is some nice, upstanding medical man out there who has everything under control with his syringe, if he could just get all those nasty miscreants rounded up.

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Are you ready to "roll up your sleeve"? See the video excerpt from "Panic in the Streets" (1950)

"Fahrenheit 451" (1966) IMDb, inspired by Ray Bradbury's science fiction novel of the same name, delivers a disturbing vision of a futuristic world where books are contraband to be burned by the state. For those of us who love books, this is a truly scary and undesirable future reality. Werner Oskar stars as the fireman who begins to question the purpose behind burning books in the oppressive police state. Julie Christie plays the double role of the witless wife of the fireman, Linda, and the open minded free spirit, Clarisse.

Check out Thom Ernst's blog for the scoop on his interview with the original author, Ray Bradbury, for the TVO Saturday Night at the Movies Interviews.

View the TVO video web preview for "Fahrenheit 451" (includes snippets of the Bradbury interview)

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See the video trailer for "Fahrenheit 451" (1966)

“The Late Show” (1977) with Art Carney and Lily Tomlin pairs a cranky has-been detective with a kooky young woman who hasn’t quite got her life under control. The odd couple is formed when minor crimes and misdemeanours escalate to a major blackmail and murder case. Things become unexpectedly serious both on the investigation front and the personal relationship side of things. Two slightly out of step and lonely individuals find that they have something to contribute to one another’s lives. Robert Benton directs this backward glance at the hardboiled detective film noir movies of the 1940’s à la Raymond Chandler/Philip Marlowe. The film leaves behind a surprisingly touching picture of the subject of aging thanks to good acting on the part of the lead characters and the support of Benton’s direction as well as a decent script.

See the TVO video preview for the "Never Too Late" presentation with "Nobody's Fool" and "The Late Show"

The companion piece in this series, "Nobody's Fool" with Paul Newman, Jessica Tandy, Bruce Willis and Melanie Griffith was also reviewed on Midnight Oil.

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>>On to "Who's Directing Your Life?"

Don't miss the entire TVOntario Interview for the "Never Too Late" episode. Included is a discussion of "Nobody's Fool" and "The Late Show" in the conversation about Hollywood films and the subject of aging.