Midnight Oil:Movies and More

In “The Spy Who Came In From The Cold” (1965), John le Carré’s influential novel of cold war espionage comes to life with Richard Burton playing the central character.  Alec Leamas is a far cry from the super suave super-spy, James Bond. There’s none of the gadgetry and high gloss finish for the ordinary agent Leamas who gets to visit such exotic destinations as a forest hut, a cement cell and an austere courtroom in nowhere town, East Germany thanks to his exciting chosen profession as a spy. The enduring points of interest from the film (and the novel) do not come from glamourous locations, steamy sex scenes or fantastic special effects that accompany the adrenalin pumping pursuits of the secret agent. This black and white film features things that are a little more low key (not to mention low budget).  Complex dialogue, interesting character development and moral dilemma sustain one’s attention and actually leave one with something to think about after it’s all over. Move Mr. Bond. No matter what worthy actor they get to play the eternally youthful 007, he won’t be a match for Burton’s rather gritty Alec Leamas à la le Carré. 

See a very interesting SNAM “Interview” that includes material on John le Carré’s spy novels.  “The Deadly Affair" (1966), screened on the same evening on Saturday Night at the Movies is also reviewed on Midnight Oil.

You can try listening to the original novel on audiobook.

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See the trailer for "The Spy Who Came in from the Cold" (1965)

“Apollo 13” (1995), directed by Ron Howard, provides a wonderfully realistic dramatization of the historic aborted moon voyage of 1970. There was a PG rating on the film for language and emotional intensity. I appreciated the warning as the parent of a 10 year old who remains fascinated by gadgets, gizmos and galaxies but who gets slightly stressed out by the super suspenseful inner states of being that sell movies. You really do want to make sure that you go to the bathroom before you start out on this two hour “disasterful” cinematic voyage to the moon and back. Tom Hanks, Bill Paxton and Kevin Bacon (playing astronauts Lovell, Haise and Swigert) form a triumvirate for outer space. Ed Harris provides ground support as Flight Director Gene Kranz. Well, there was that other guy, Gary Sinise. He plays astronaut Ken Mattingly. That’s the fellow who gets knocked off of the roster at the last minute by German measles - but no one ever mentions him. They did manage, in the name of historical accuracy, to mention the fact that the unfortunate Pilot Haise, played by Bill Paxton, got a major urinary tract infection due to not drinking enough water during the mission. Too much information.

Methinks there was a bit too much testosterone floating around the stratosphere in this film. In the end, everyone keeps their head and all get back to earth safely. I really wasn’t sure there for a few minutes – and that was after seeing the film previously and living through the historical event. When they are done right, movies can be an engrossing form of storytelling. This one was done right.

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View the video trailer for "Apollo 13" (1995)

“Panic in the Streets” (1950) starring Richard Widmark and Jack Palance as directed by Elia Kazan, makes for a scary combination. I’m not sure which one you should take your chances on; the menace of the totally deadly pneumonic plague (a form of the Black Plague) or the totally creepy Jack Palance as the villain. The hero, Richard Widmark, as Lieutenant Commander Clint Reed, runs around New Orleans with his syringe, prepared to do battle with either culprit. (Apparently, it is true that the totally deadly effects of pneumonic plague can be forestalled with a dose of antibiotics within 24 hours.) This highly potent concoction of gangsters, bioterrorism, post-war anxieties with a bit of romance thrown in, thanks to Barbara Bel Geddes as the good doctor’s wife, makes it a highly watchable film more than 50 years later. It may not be Elia Kazan’s best film ever, but it’s worth a look. And it’s so comforting in this crazy post-SARS world of ours to think that there is some nice, upstanding medical man out there who has everything under control with his syringe, if he could just get all those nasty miscreants rounded up.

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Are you ready to "roll up your sleeve"? See the video excerpt from "Panic in the Streets" (1950)

In “The Deadly Affair” (1966) IMDb, John le Carré’s spy novel turns into a cinematic adventure for everyday secret service man, Charles Dobbs (played by James Mason). Even though he has a nymphomaniac wife at home, Charles Dobbs’ career as a British intelligence officer is nothing like that of James Bond. A suspicious looking suicide after an apparently unfounded accusation of communist sympathies leads down a trail of cold war intrigue. As the plot thickens, Dobb’s finds the answers in places that strike close uncomfortably close to home.

See a very interesting SNAM “Interview” that includes material on John le Carré’s more famous spy novel, “The Spy Who Came in from the Cold”, a film starring Richard Burton, also screened on the same evening on Saturday Night at the Movies.

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Catch the opening credits and opening scene for “The Deadly Affair” (1966) here.

"Witness for the Prosecution" (1957IMDb) Billy Wilder's classic court room drama features Tyrone Power as the accused, Leonard Vole, and Marlene Dietrich as his wife. Charles Laughton is at the top of his form as defense lawyer Sir Wilfred Robarts. You never can tell with a wily old fellow like Sir Robarts up to his old tricks in the court room. Not to be missed in this production is the irrepressible Mrs. Charles Laughton, Elsa Lanchester. Lanchester plays the rather shrill Nurse Plimsoll to the hilt, running after Sir Wilfred with her sharp hypodermic syringe and a wit too dull to perceive crafty old coot’s concealed flask of brandy. Thoroughly entertaining fare derived from a successful Agatha Christie play.

Catch the TVO preview of the movie “Witness for the Prosecution”.

Also presented on on SNAM on the same evening highlighting legal wrangling were films previously featured on Midnight Oil, "The Ox-Bow Incident" (1943)and "Compulsion"(1959).

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A must see is this short video scene of the irritating Miss Plimsoll plying her trade with the irascible Sir Wilfred.

Catch the original movie trailer for "Witness for the Prosecution" (1957) here.