Midnight Oil:Movies and More

“Panic in the Streets” (1950) starring Richard Widmark and Jack Palance as directed by Elia Kazan, makes for a scary combination. I’m not sure which one you should take your chances on; the menace of the totally deadly pneumonic plague (a form of the Black Plague) or the totally creepy Jack Palance as the villain. The hero, Richard Widmark, as Lieutenant Commander Clint Reed, runs around New Orleans with his syringe, prepared to do battle with either culprit. (Apparently, it is true that the totally deadly effects of pneumonic plague can be forestalled with a dose of antibiotics within 24 hours.) This highly potent concoction of gangsters, bioterrorism, post-war anxieties with a bit of romance thrown in, thanks to Barbara Bel Geddes as the good doctor’s wife, makes it a highly watchable film more than 50 years later. It may not be Elia Kazan’s best film ever, but it’s worth a look. And it’s so comforting in this crazy post-SARS world of ours to think that there is some nice, upstanding medical man out there who has everything under control with his syringe, if he could just get all those nasty miscreants rounded up.

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Are you ready to "roll up your sleeve"? See the video excerpt from "Panic in the Streets" (1950)

“I Confess” (1953) with Montgomery Clift, Anne Baxter, and Karl Malden makes for a rather melodramatic situation where the real murderer uses the silence of the confessional as the perfect cover-up for his crime. Alfred Hitchcock’s direction on site in Quebec City gives this film a bit of a different perspective. Once you realize that the setting is supposed to be Quebec City during the 1950’s in the pre-Vatican II Duplessis era, it all starts to make a little more sense – the film, that is, not the murder mystery plot. The murder, cover-up, romance, blackmail and dénouement are all very predictable. What else can we expect when two excruciatingly beautiful people such as Anne Baxter and Montgomery Clift are caught up in a thoroughly impossible situation? It is all completely incomprehensible and implausible in today’s world until you remember that this is supposed to be Quebec in the 1950’s. The prominent landmarks and buildings seen in the film are still there today. (Our family visits quite regularly.) The social and religious landscapes that make this film believable are not. C’est quoi encore le dicton en anglais? “Much Ado About Nothing”?

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See the film trailer for "I Confess" (1953).

“Coal Miner’s Daughter”(1980) IMDb employs the considerable singing and acting talents of Sissy Spacek along with those of Tommy Lee Jones. As might be expected, the biopic of singing star Loretta Lynn contains a full dose of country and western music. I’m with Doo on this one. I’m normally not partial to country, but I do like Loretta’s singing in this film. Of course the music is not the whole story here in this recounting of the ups and downs of Loretta’s life, but the singing obviously cannot be minimized. The film demonstrates that Loretta Lynn had a wealth of material to draw on from her own life’s experiences to both write and sing from the heart with all those "hurtin’ " songs you heard coming out of the radio.

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Catch the video trailer for “Coal Miner’s Daughter” (1980)

In “Malcolm X” (1992) IMDb, Denzel Washington plays the title role of the black civil rights and religious leader also known as El-Hajj Malik El-Shabazz. This bio-pic directed by Spike Lee reveals much about the public and private life of this important modern-day figure of American history as based on the autobiography written by Alex Haley. Denzel Washington does an admirable job of capturing the complexity of a man in search of himself as he searches for a meaningful ethnic and religious identity. Although the politics of the times loom large in this film, it is the personal journey of growth and the fascinating interplay of religious and cultural influences that are of particular interest to me.

Don’t miss the informative TVO SNAM Interviews segment devoted to the subject of the making of “Malcom X” as well as the producer’s blog entry about the “re-discovery” of the man behind the film. The SNAM mini-doc is entitled “By Any Means Necessary”.

"The Dandies-Shorty& Malcolm" courtesy of Movie Screenshots

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See the video trailer for “Malcolm X” (1992)

“Shine”(1996) IMDb tells the story of Australian pianist, David Helfgott, a man whose artistic talents and fragile mental state are negatively impacted by the post-war trauma of his troubled father. Helfgott makes an unlikely comeback after a dramatic mental breakdown and institutionalization. Geoffrey Rush (adult) and Noah Taylor (adolescent) both won critical acclaim for their portrayal of Helfgott’s character. While the issue of whether “Shine” tells the “entirely true” story of the child prodigy gone wrong may be debatable, what is clear is that this film certainly is a good story worth listening to in its empathetic treatment of the individual and the artist.

The film “Shine”(1996) was presented in the context of TVOntario’s “Brain Week – From Brilliant to Broken” . Be sure to catch the SNAM Interviews for “Shine” called “Art and Madness”, a most interesting examination of the relationship of mental illness and artistic genius as depicted in film.

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See the video trailer for “Shine”(1996)