Midnight Oil:Movies and More

In “The Shipping News” , Kevin Spacey plays Quoyle, a long-time loser with a complicated family history who unexpectedly returns to Newfoundland as a desperate act of self-preservation for himself and his family. The ties that bind are a deep mystery, deeper than the wild blue ocean that itself plays a role in the film.

Along the way, Quoyle meets a wonderful array of “colourful characters” that includes Judi Dench playing his convoluted Aunt Agnis, Gordon Pinsent as his unanticipated mentor, Scott Glenn as his second-sighted boss, and Cate Blanchett as his predatory mate. As he sets about making a new life for himself in rural Newfoundland, Quoyle discovers a new set of interests that he never anticipated. He tries his hand at journalism for the local paper. He goes out on the water in his own boat. He catches up with his daughter’s daycare owner, Wavey Prowse (Julianne Moore), and finds out that she’s even more interesting than her name suggests. Quoyle isn’t especially good at any of these things, but he at least gives it a try, and that’s what it’s all about at this stage of his rather stagnated existence.

I can’t tell you that the local accents in this film are wonderfully accurate. (They’re not). I can’t say whether very many people still use outhouses in Newfoundland or whether anyone has dragged his house across the ice from the outer islands lately. I can’t really recommend the foul tasting Seal Flipper Pie referred to in the film. (I’ve never had the pleasure.) I don’t know if it’s true that every other inhabitant on the island has run into a moose on the road in winter or had a relative drowned at sea. I don’t know about the second-sight that some claim to have or whether tying mysterious string knots will protect the family or expose them to some terrible other-worldly curse. Wake: The Shipping News (credit Moviescreenshots)I’ve never heard of wakes that really wake the dead, but I would not be totally taken aback to see a house chained to the ground for fear of it blowing away in a place like Newfoundland. What I do know is that all the displaced Newfoundlanders I’ve ever met were friendly folk with hearty appetites for this life and the next. I trust that the scenery is every bit as dramatic as shown in this film and that the weather is every bit as bad (when it is bad).

Spacey & Dench (credit Moviescreenshots) It’s enough to make one want to run off to Newfoundland (at least for a visit . . . at least for a visit in the summertime.) So much in this film is only half remembered and half spoken. It makes you long for more. I think that this is perhaps one of the primary virtues of the film. It is as evocative as its hauntingly beautiful musical score. (See the video below.) Maybe the film does not deliver on all levels, but I think it has credit: Moviescreenshotsat least this going for it. It opens a window that hints at the “something more” that you can’t quite see from the vantage point of the movie itself. Perhaps the something more is the Pulitzer Prize winning book by Annie Proulx from which the film is derived. Supposedly, the novel is a much better work than the film rendition. Perhaps I should read it some time. Perhaps that would be a more realistic venture than running off to Newfoundland in mid-January on a sight-seeing jaunt.

See the TVOntario Interviews for The Shipping News(2001): Life Anew. It looks at second chances and issues of renewal through discussions with actors, directors and screenwriters.

>>More to see: Looking for more out of life?

See the trailer for "The Shipping News" (2001)

Hear part of the magical movie score by Christopher Young.

“Starting Out in the Evening” (2007)  is actually a film about more than just writers and the craft of writing. It’s about family, career, ambition, following one’s passions, facing death and disappointments . . .  and probably a few other things along the way.

Some may find the film a bit slow and obsessively internally focused. What else can one expect? After all, it’s about the world and the process of being a writer, for goodness sake. (Well, actually, we’re not really too sure for whose sake any of this writing stuff is really for in the end. It seems to me that the film desperately wants to convince us that art for art’s sake is its own reason for being.)

Leonard Schiller has lived the life of a New York intellectual. He now has lots of time to reflect on whether it has all been worth it as he faces the illness and incapacity of old age. He’s been stuck with a bad case of writer’s block for years now. It is high time to face up to the truth: neither he nor the characters of his latest novel are going anywhere. A bright young grad student (Lauren Ambrose) intent on building her own career helps Schiller to realize that he has been following his characters around for years in vain, “waiting for them to do something interesting”. Schiller is faced in the end with a moral dilemma that cuts to the core of his artistic and personal integrity. Does he have the courage to face life the way it really is with its disappointments and limitations and still engage fully in the creative process? Will he do it this time in a wiser, less self-centred way?

Schiller’s daughter, Ariel, has a different dilemma. Her life as a former dancer is anchored in a much more physical day-to-day reality, in contrast to her father’s intellectual pursuits. Ariel has to face her own moral dilemmas and internal wrestlings as she processes what it means to her to be pushing 40 and still be childless. Conflicted desires and yearning for fulfillment bubble up as she faces the mandatory “early retirement” of her dancing career and encounters a former lover who has other priorities in life. (See the video clip.)

Not the film to see if you’re in the mood for an adrenalin rush or up for mindless movie-watching with lots of microwave popcorn on hand . . . It certainly does have its merits though. If you’re not in a rush, why not spend a couple of hours mulling things over with this engaging piece of cinema.

>>More to see: Looking for more out of life?

>>Real Life Story:  Successful author, Anne Rice, tells of how the exploration of her personal demons led to writing a series of vampire novels before things take a surprising twist  later on in her professional life.

Understand more about "The Written Life" as depicted in SNAM's Interviews about two films which take on the subject of authors and the work of the author. The films described in the Interviews are "Starting Out in the Evening" (2007) and "Infamous" (2006).

See the trailer for "Starting Out in the Evening" (2007)



“Starting Out in the Evening” (2007)  is actually a film about more than just writers and the craft of writing. It’s about family, career, ambition, following one’s passions, facing death and disappointments . . .  and probably a few other things along the way.

Some may find the film a bit slow and obsessively internally focused. What else can one expect? After all, it’s about the world and the process of being a writer, for goodness sake. (Well, actually, we’re not really too sure for whose sake any of this writing stuff is really for in the end. It seems to me that the film desperately wants to convince us that art for art’s sake is its own reason for being.)

Leonard Schiller has lived the life of a New York intellectual. He now has lots of time to reflect on whether it has all been worth it as he faces the illness and incapacity of old age. He’s been stuck with a bad case of writer’s block for years now. It is high time to face up to the truth: neither he nor the characters of his latest novel are going anywhere. A bright young grad student (Lauren Ambrose) intent on building her own career helps Schiller to realize that he has been following his characters around for years in vain, “waiting for them to do something interesting”. Schiller is faced in the end with a moral dilemma that cuts to the core of his artistic and personal integrity. Does he have the courage to face life the way it really is with its disappointments and limitations and still engage fully in the creative process? Will he do it this time in a wiser, less self-centred way?

Schiller’s daughter, Ariel, has a different dilemma. Her life as a former dancer is anchored in a much more physical day-to-day reality, in contrast to her father’s intellectual pursuits. Ariel has to face her own moral dilemmas and internal wrestlings as she processes what it means to her to be pushing 40 and still be childless. Conflicted desires and yearning for fulfillment bubble up as she faces the mandatory “early retirement” of her dancing career and encounters a former lover who has other priorities in life. (See the video clip.)

Not the film to see if you’re in the mood for an adrenalin rush or up for mindless movie-watching with lots of microwave popcorn on hand . . . It certainly does have its merits though. If you’re not in a rush, why not spend a couple of hours mulling things over with this engaging piece of cinema.

>>More to see: Looking for more out of life?

>>Real Life Story:  Successful author, Anne Rice, tells of how the exploration of her personal demons led to writing a series of vampire novels before taking a surprising twist  later on in her professional life.

Understand more about "The Written Life" as depicted in SNAM's Interviews about two films which take on the subject of authors and the work of the author. The films described in the Interviews are "Starting Out in the Evening" (2007) and "Infamous" (2006).

See the trailer for "Starting Out in the Evening" (2007)



“Dear Frankie” (2004) IMDb is a real gem starring Jack McElhone as a young deaf boy and Emily Mortimer as his mom. Gerard Butler is the stranger who is brought into the picture in order to play the role of Frankie’s “dad” for a day. Things have a way of getting kind of complicated when the adults involved find they have to bend over backwards in order to maintain the charade for Frankie’s benefit. It’s a lovely tale told with much care and compassion for the plight of the single mom who tries to do her best with a very difficult dilemma.

TVO producer, Thom Ernst talks on his blog. about how this unusual and charming film came to be screened on SNAM.

See the TVO interview related to "Dear Frankie", in which the issue of telling lies in order to protect children is examined.

>>Real Life Story: Shannon deals with her fatherless childhood and, in her adult life, leaves an abusive relationship.

>>More to see: Looking for more out of life?

See the video trailer for "Dear Frankie" (2004).



“Monsoon Wedding” (2001) gives a glimpse of  a wedding day in modern-day India that has lots to say about the institution of marriage, families and India as it is today. Director Mira Nair lovingly constructs a multi-layered picture of an extended middle class family as it goes through the Hindu ritual. The gathering of the clan and the awkward introduction of two strangers who are soon to be husband and wife present the perfect opportunity for both flamboyant display and clandestine concealment. moviescreenshots.blogspot.comMultiple revelations take place during the course of the film. Some are funny and fun and some stumble upon the great tragedies and imperfections of life as it really is. Nair’s film is enjoyable because it captures “the way things really are” today in a specific state in India. The movie reaches beyond the frivolous and the cliché because it simultaneously reveals “the way things have always been” on a universal level. Who’s to say that the torrential downpour of a monsoon would not be the perfect ending of a grand celebration of a very imperfect life? It’s a different way of looking at things. It might just be a very lucky thing.

Be sure that you don’t miss the SNAM Interview dedicated to examining the intricacies of “Monsoon Wedding”.

Also along the wedding theme as shown on SNAM was “Father of the Bride” (1950) , and The Philadelphia Story (1940). These movies were previously reviewed on Midnight Oil.

 >>More to see: Looking for more out of life?

>>Real Life Story: Shawna went from the fairytale wedding to disappointment in her marriage to real happiness.

 See the official trailer for “Monsoon Wedding” (2001). I decided some words of explanation (in English) were necessary to tell the story even though this video clip does an great job of capturing the visual story of the film through colour, texture, song and dance.