Midnight Oil:Movies and More



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In “Places in the Heart” (1984), writer/director Robert Benton delivers a poignant portrait of a way of life as it once was in the deep South during the Depression era. Edna Spalding (played by Sally Field) finds herself in an unexpected place, facing life as a widow with two young children after her husband is suddenly killed. Edna seems to represent many women of her generation. She is ill-prepared to deal with the harsh realities of being a single parent in what is still very much a man’s world. She doesn’t even know how to write out a cheque, much less run a farm and earn a living. Sally Field’s character demonstrates courage, warmth and toughness in the face of overwhelming odds as she attempts to keep her family together during a deep economic and personal crisis.

Danny Glover’s portrayal of the character Moze, a migrant worker who ends up helping Edna to work the farm and bring in the cotton, captures the essence of the situation of the black man in this period of time. Moze searches not only for work to keep body and soul together, but for dignity to make life worth living. He finds both for just a moment with Mizz Spalding on a little farm just outside of the small town of Waxahachie, Texas.

John Malkovich plays Mr. Will, a complicated character whose injuries from the First Great War involve more than just the loss of his eyesight. As a boarder in the household, Mr. Will temporarily finds a place to belong and a group of people who need him almost as much as he needs to be needed.

Benton frames his semi-autobiographical work with bookends in the form of two hymns that open and close the film. (See below) These scenes set up a context for understanding the rest of the action of the film. As with the folksy irregular rhythm of the cotton pickin’ ballads in the middle of the movie, the music comes out of the real life experiences of the townspeople. The music is presented as something that’s a part of what the people here really live. It’s not just an ornamental backdrop for the dramatic action. 

The final scene with the communion in church raises particular issues. Everything else in the film has been firmly anchored in reality until the final frames of the film. Why is it that unreality suddenly takes over? Edna’s dead husband and  his killer, the young black man, who was brutally killed by a lynch mob, suddenly appear sitting in church. Sitting there in the pew, they seem as normal as every other member of the community as the communion plate is passed. My thought is that it has to do with what Robert Benton wants to show us about his main characters and the community they live in. “Places in the Heart” may be a memory of a place and a time that no longer exist. The magic in it is that Benton manages to help us to understand something of what it was like to live there and then, just as he lived it.

See the TVO Saturday Night at the Movies in depth Interviews as the subject of "Surviving the Depression" is treated in two films shown on SNAM: "Places in the Heart" (1984) and "Pennies from Heaven"(1981).

>>Real Life: Everything in life seemed to be going fine. That all changed the day Tamara learned she had incurable cancer and was faced with only a few uncertain years to live. Where do you turn when confronted with a no-win situation?

>>More to see: Looking for more out of life?

See the framing opening and closing scenes with accompanying music from "Places in the Heart".







 “Dominick and Eugene” (1988) has Tom Hulce and Ray Liotta play the parts of twin brothers, one of whom is slightly mentally retarded while the other studies to be a doctor.  Hulce  plays the slow witted brother. He exchanges comic books with an 11 year old boy on his garbage pick up route, loves pretending he is the Incredible Hulk and has problems remembering his responsibility to walk the dog. The brother played by Ray Liotta is saddled with some of the “adult” concerns of life; trying to plan his medical career, making progress in his love life and keeping his somewhat naïf brother out of trouble with drug dealers, hookers and neighbourhood thugs. Jamie Lee Curtis, the love interest for Gino, finds out that she really doesn’t know what she’s getting into by getting involved with her fellow medical student. She’s caught in the middle.

There’s a bit to work out in the space of two hours. Some startling revelations relating to manslaughter, child abuse and kidnapping could be interpreted by the overly cynical film critic to be contrived and overly predictable vehicles for sentimentality. I prefer to see the events and the characters as true to life. It may be hard for some to believe, but people like this and situations like this really do exist. I for one have met up with some of them. The interpretation of the movie may rest more with the inner state of mind of the reviewer than the actual skill of the actors, directors and writers involved in the movie making. It’s a film that could go either way. I personally put a full three hankie warning on the film (with lots of nose blowing and tear wiping anticipated for anyone who is the least bit emotionally engaged).

>>More to see: Looking for more out of life?

>>Real Life Story: Jimmy’s working class parents weren’t prepared that day when they sent their teenage son to the corner store. What happens in the families of an innocent victim touched by gang violence?

See a video clip from "Dominick and Eugene" (1988)