Midnight Oil:Movies and More

“The Late Show” (1977) with Art Carney and Lily Tomlin pairs a cranky has-been detective with a kooky young woman who hasn’t quite got her life under control. The odd couple is formed when minor crimes and misdemeanours escalate to a major blackmail and murder case. Things become unexpectedly serious both on the investigation front and the personal relationship side of things. Two slightly out of step and lonely individuals find that they have something to contribute to one another’s lives. Robert Benton directs this backward glance at the hardboiled detective film noir movies of the 1940’s à la Raymond Chandler/Philip Marlowe. The film leaves behind a surprisingly touching picture of the subject of aging thanks to good acting on the part of the lead characters and the support of Benton’s direction as well as a decent script.

See the TVO video preview for the "Never Too Late" presentation with "Nobody's Fool" and "The Late Show"

The companion piece in this series, "Nobody's Fool" with Paul Newman, Jessica Tandy, Bruce Willis and Melanie Griffith was also reviewed on Midnight Oil.

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Don't miss the entire TVOntario Interview for the "Never Too Late" episode. Included is a discussion of "Nobody's Fool" and "The Late Show" in the conversation about Hollywood films and the subject of aging.

Paul Newman is “Nobody’s Fool” (1994) . Robert Benton’s delicately drawn portrait of aging also stars Jessica Tandy, Melanie Griffith and Bruce Willis. Newman plays Sully, a rascally character living in small town America who decides that it’s never too late after all to join the human race. Sully’s worked hard all his life to avoid facing up to inevitable realities. We’d all like to believe that people can get better and not just “older”, in spite of all the examples we see to the contrary. Newman is such a wonderful actor and Benton is such a masterful storyteller in this film that we’ll just have to become believers.

See the “Never Too Late” video interview preview for Nobody’s Fool from SNAM here.

Don't miss the entire TVO SNAM interviews for the "Never Too Late" episode. Includes a discussion of "Nobody's Fool" and "The Late Show" in the discussion of Hollywood films and the subject of aging.

Read Thom Ernst’s blog entry on the ageless Paul Newman .

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Catch the video trailer for Nobody’s Fool here.

“I Confess” (1953) with Montgomery Clift, Anne Baxter, and Karl Malden makes for a rather melodramatic situation where the real murderer uses the silence of the confessional as the perfect cover-up for his crime. Alfred Hitchcock’s direction on site in Quebec City gives this film a bit of a different perspective. Once you realize that the setting is supposed to be Quebec City during the 1950’s in the pre-Vatican II Duplessis era, it all starts to make a little more sense – the film, that is, not the murder mystery plot. The murder, cover-up, romance, blackmail and dénouement are all very predictable. What else can we expect when two excruciatingly beautiful people such as Anne Baxter and Montgomery Clift are caught up in a thoroughly impossible situation? It is all completely incomprehensible and implausible in today’s world until you remember that this is supposed to be Quebec in the 1950’s. The prominent landmarks and buildings seen in the film are still there today. (Our family visits quite regularly.) The social and religious landscapes that make this film believable are not. C’est quoi encore le dicton en anglais? “Much Ado About Nothing”?

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See the film trailer for "I Confess" (1953).

Proper Proposals

I'm sure that the young man visiting our home and paying call on our tenant over the last week will find much instruction from these films on how proper proposals are carried out. To be sure, Mr. Beans' example from the infamous Christmas turkey episode, which we happened to watch together, finds much to recommend itself in terms of comedy. However, such models should be forsaken in favour of more appropriate means of conveyance toward matrimonial bliss.

TVO recently screened "Northanger Abbey"(2007) , "Mansfield Park" (2007), and "Persuasion"(2007) in a festival of seldom seen Austen novels on film. Those permanently afflicted with the Austen bug may wish to find solace and companionship online at the Jane Austen Society of North America. For those who missed seeing the Austen movies on TVO, I have found these films produced for television on YouTube in installment format, if you really must see them. Desperate times call for desperate measures.

See also the cool Austen mini docs for TVO's Sunday Specials: the Jane Austen series

People may also wish to read the Midnight Oil archived entry for the Emma Thompson 1995 version of Sense and Sensibility" previously screened on SNAM.

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"My Sister Eileen" 1955  is chock full of a sunny optimism and great dance moves courtesy of Bob Fosse. Fosse as the underdog suitor of the highly attractive Eileen (Janet Leigh) is entirely unremarkable - until he puts on his dancing shoes, that is. Eileen's older sister, played by Betty Garrett, isn't a bad hoofer either as she tries every trick she knows to get published while in the Big Apple. My only regret is that we don't get to see Jack Lemmon graduate from charm school into a dance number. A song will have to do.

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Catch the video from the Interviews by TVO about "My Sister Eileen"

This film was screened with "Sweet Charity" also previously reviewed on Midnight Oil.

See Bob Fosse's wonderful coreography in this video segment from "My Sister Eileen" (1955)