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To see a simple English version of reviews about some of the movies, click on the ESL section of Midnight Oil.
Entries by Catherine Savard (118)
The Spy Who Came in from the Cold (1965)
In “The Spy Who Came In From The Cold” (1965), John le Carré’s influential novel of cold war espionage comes to life with Richard Burton playing the central character. Alec Leamas is a far cry from the super suave super-spy, James Bond. There’s none of the gadgetry and high gloss finish for the ordinary agent Leamas who gets to visit such exotic destinations as a forest hut, a cement cell and an austere courtroom in nowhere town, East Germany thanks to his exciting chosen profession as a spy. The enduring points of interest from the film (and the novel) do not come from glamourous locations, steamy sex scenes or fantastic special effects that accompany the adrenalin pumping pursuits of the secret agent. This black and white film features things that are a little more low key (not to mention low budget). Complex dialogue, interesting character development and moral dilemma sustain one’s attention and actually leave one with something to think about after it’s all over. Move over Mr. Bond! No matter what worthy actor they get to play the eternally youthful 007, he won’t be a match for Burton’s rather gritty Alec Leamas à la le Carré.
See a very interesting SNAM “Interview” that includes material on John le Carré’s spy novels. “The Deadly Affair" (1966), screened on the same evening on Saturday Night at the Movies is also reviewed on Midnight Oil.
You can try listening to the original novel on audiobook.
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See the trailer for "The Spy Who Came in from the Cold" (1965)
Operation Crossbow (1965)
"Operation Crossbow (1965)" combines a good spy story and WWII military history with a pinch of the human interest angle thrown in for good measure. George Peppard is the British spy masquerading as a Dutch engineer in the pay of the Germans to help create the dreaded V2 rocket bombs (no explanation of his American accent). Sophia Loren makes a cameo appearance as the Italian wife of the Dutch engineer trying to escape the Nazi occupation with her (trilingual ?) children. It's all very confusing. You have to keep an eye on those German subtitles. Sophia is evidently there to prop up the galmour factor. If you like rockets a lot, wartime intrigue or Sophia Loren, this film may have some points of interest for you.
This movie was recently screened with another wartime movie on TVO. See reviews for “The Man Who Never Was” 1956 in the Midnight Oil video trailer section.
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See director, Michael Anderson interviewed in the video trailer of "Operation Crossbow" from TVO.
Catch the opening scenes video trailer of “Operation Crossbow” 1965
The Deadly Affair (1966)
In “The Deadly Affair” (1966), John le Carré’s spy novel turns into a cinematic adventure for everyday secret service man, Charles Dobbs (played by James Mason). Even though he has a nymphomaniac wife at home, Charles Dobbs’ career as a British intelligence officer is nothing like that of James Bond. A suspicious looking suicide after an apparently unfounded accusation of communist sympathies leads down a trail of cold war intrigue. As the plot thickens, Dobb’s finds the answers in places that strike uncomfortably close to home.
See a very interesting SNAM “Interview” that includes material on John le Carré’s more famous spy novel, “The Spy Who Came in from the Cold”, a film starring Richard Burton, also screened on the same evening on Saturday Night at the Movies.
>>More to see: Looking for more out of life?
Catch the opening credits and opening scene for “The Deadly Affair” (1966) here.
The Lady From Shanghai (1947)
“The Lady from Shanghai” (1947) stars Rita Hayworth as Elsa Bannister and Orson Welles as Micahel O’Hara. Welles does it all as principle actor, writer and director of the movie. It is an interesting film from more than one angle (à la crazy fun house mirrors of the climax scene). Hayworth and Welles were in the final phases of their off-screen relationship at the time of filming, Welles reported that he did the film simply as a way of financing other projects in jeopardy, and the complicated plot of the original Sherwood King novel is just, well, hard to follow. But then, Michael O’Hara’s Irish brogue is rather hard to follow and even harder to swallow at times.
Rita Hayworth’s character is the rather too obvious femme fatale who spices up the exotic scenery and even indulges us with a musical number and a spectacular cliff diving scene for the benefit of box office sales. It’s film noir with more than the usual twist at the end with a visually discombobulating fun house scene that is all “Orson”. It can be fun, if you just relax and get into the genre and the period of Hollywood film making.
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Orson Welles as Michael O’Hara gives us his rendition of the poetic Irish soul in this famous “shark scene on video clip. See below a re-cut, remixed video trailer for “The Lady From Shanghai” (1947)
Apollo 13 (1995)
“Apollo 13” (1995), directed by Ron Howard, provides a wonderfully realistic dramatization of the historic aborted moon voyage of 1970. There was a PG rating on the film for language and emotional intensity. I appreciated the warning as the parent of a 10 year old who remains fascinated by gadgets, gizmos and galaxies but who gets slightly stressed out by the super suspenseful inner states of being that sell movies. You really do want to make sure that you go to the bathroom before you start out on this two hour “disasterful” cinematic voyage to the moon and back. Tom Hanks, Bill Paxton and Kevin Bacon (playing astronauts Lovell, Haise and Swigert) form a triumvirate for outer space. Ed Harris provides ground support as Flight Director Gene Kranz. Well, there was that other guy, Gary Sinise. He plays astronaut Ken Mattingly. That’s the fellow who gets knocked off of the roster at the last minute by German measles - but no one ever mentions him. They did manage, in the name of historical accuracy, to mention the fact that the unfortunate Pilot Haise, played by Bill Paxton, got a major urinary tract infection due to not drinking enough water during the mission. Too much information.
Methinks there was a bit too much testosterone floating around the stratosphere in this film. In the end, everyone keeps their head and all get back to earth safely. I really wasn’t sure there for a few minutes – and that was after seeing the film previously and living through the historical event. When they are done right, movies can be an engrossing form of storytelling. This one was done right.
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View the video trailer for "Apollo 13" (1995)